If you must carry
or own a gun
or many
to be safe
In the land of the free
Home of the brave
Are you free?
Are you brave?
Maybe you are,
But probably not
Unless you live in a place
Where no one
has paid for
Your liberty --
Where protection
is not a luxury,
but a need for you
and your family,
sometimes every waking moment
and countless nights
without sleep --
Unless you need
Weapons to survive,
You are not brave
Or free.
But you, with your
Mighty God
Who surely is big enough,
Omniscient and Omnipotent,
(and clearly not impotent)
to protect you.
You seem rather
Lacking in trust
Of this Being
Who surely would not
Forget you
If you needed Him
In a moment
When it all came down
To choosing a weaopn
Or not
And speaking of God,
If there is One
or Many
to keep us safe
And only if they
Really care
to listen to me
and everyone else
just the same,
I offer a prayer:
I fall to my knees
In submission to You
And beg that You
Discontinue
Allowing us to
Be so full of
Fear and hate.
Please teach us
How to be free.
If freedom is real,
how do we find it,
without having to
Win it,
Possess it,
or fight for it?
If being free
is possible,
teach us to
Understand that
Having it is not
Enough
Help us know
what it means
to Be it
If freedom is
something to own
like a gun
Then freedom
is not
Free
-------------------------------------------------------------
Prayer, not included in the poem:
Grant us vision,
Wisdom to love
to Know
How to Care
For the world
And each other
Before We all
Die of Hatred
And Fear
Tuesday, January 31, 2017
A Song My Friend (who is not a humanist) Sent Me
Second Chances
They stare at the ground
They radiate
Me, I'm mumbling in the kitchen for the sun to pay up
Lonely is a ring on a cold coffee cup
I'm some sick hound
Digging for bones
If it weren't for second chances, we'd all be alone
My hands they were strangers lost in the night
They're waving around in the dusty light
I'm waiting in the wings while the trees undress
Cupping my ear to hear the wind confess
I'm a ghost in the garden
Scaring the crows
If it weren't for second chances, we'd all be alone
I'm running from nothing, no thoughts in my mind
Oh my heart was all black
But I saw something shine
Thought that part was yours, but it might just be mine
I could share it with you, if you gave me the time
I'm all bloody knuckles, longing for home
If it weren't for second chances, we'd all be alone
I'm a shot through the dark
I'm a black sinkhole
If it weren't for second chances, we'd all be alone
I'm a black sinkhole
If it weren't for second chances, we'd all be alone
Songwriters: Gregory Alan Isakov / Ilan Gary Isakov
Second Chances lyrics © Third Side Music Inc.
Carl Sandburg Tuesday
It was a very good day at Carl Sandburg School. It kind of redeemed my whole day -- and hopefully my week, which has been a real mix of ups and downs.
I would not normally choose this topic, but it was critical timing for me to find this. Even if he never reads this post (which he most likely will not, since this blog is private), this is dedicated to my self-identified as "not humanist" friend who carries a gun, and owns twenty of them -- just to be on the "safe" side. He has also been vegan for 24 years, and cares a lot about the planet. And he loves romantic comedy movies. People are strange.
*This post comes directly from this article.*
January 21, 2013|By Bridget Doyle | Tribune reporter
An unknown poem called "A Revolver" by Pulitzer Prize-winning writer Carl Sandburg was recently found in the University of Illinois at Champaign-Urbana. He died in 1967. (Ben Woloszyn, University of Illinois)
With the debate over gun control heating up, a retired volunteer at a University of Illinois at Urbana-Champaign made a timely find.
Ernie Gullerud, a former professor of social work at the university, came upon a previously unpublished poem by Carl Sandburg titled "A Revolver," which addresses the issue of guns and violence.
I would not normally choose this topic, but it was critical timing for me to find this. Even if he never reads this post (which he most likely will not, since this blog is private), this is dedicated to my self-identified as "not humanist" friend who carries a gun, and owns twenty of them -- just to be on the "safe" side. He has also been vegan for 24 years, and cares a lot about the planet. And he loves romantic comedy movies. People are strange.
*This post comes directly from this article.*
U. of I. volunteer finds unknown Carl Sandburg poem
Late writer's 'Revolver' takes aim at guns, violence
| Photo: "A Revolver" by Carl Sandburg |
An unknown poem called "A Revolver" by Pulitzer Prize-winning writer Carl Sandburg was recently found in the University of Illinois at Champaign-Urbana. He died in 1967. (Ben Woloszyn, University of Illinois)
With the debate over gun control heating up, a retired volunteer at a University of Illinois at Urbana-Champaign made a timely find.
Ernie Gullerud, a former professor of social work at the university, came upon a previously unpublished poem by Carl Sandburg titled "A Revolver," which addresses the issue of guns and violence.
"I'm no judge of what makes a great poem, but this one said so much and so succinctly and to the point. I thought 'Golly, someone could have written this today,'" said Gullerud, 83.
It's not clear when Sandburg typed the poem:

Revolver
Revolver
(text taken from typed poem pictured above, evidence strongly suggesting it was written by Carl Sandburg)
Here is a revolver.
It has an amazing language all its own.
It delivers unmistakable ultimatums.
It is the last word.
A simple, little human forefinger can tell a terrible story with it.
Hunger, fear, revenge, robbery hide behind it.
It is the claw of the jungle made quick and powerful.
It is the club of the savage turned to magnificent precision.
It is more rapid than any judge or court of law.
It is less subtle and treacherous than any one lawyer or ten.
When it has spoken, the case can not be appealed to the supreme court, nor any mandamus nor any injunction nor any stay of execution in and interfere with the original purpose.
And nothing in human philosophy persists more strangely than the old belief that God is always on the side of those who have the most revolvers.
Gullerud has volunteered at the Rare Book and Manuscript Library every Thursday for more than seven years. For the past two years, he's been working to classify and enter a file folder of poems into the school's electronic system.
He was working through poems by Sandburg this month when he came across "A Revolver" typed on scratch paper and recognized its relevance to current cultural debates across the country.
"When I wrote down that last line, I knew this was really big," Gullerud said.
Sandburg, a Galesburg native and at one time a Chicago newspaperman, received Pulitzer Prizes for poetry in 1919 and 1951 and another in 1940 for his biography of Abraham Lincoln.
Gullerud took the poem to Valerie Hotchkiss, head of the Rare Book and Manuscript Library, who also noted its relevance.
U. of I. English professor emeritus George Hendrick, who has published multiple volumes of Sandburg's poems, said "A Revolver" appears to be from the writer's later work. Hendrick speculated that the poem could be related to Lincoln's assassination.
Here is a revolver.
It has an amazing language all its own.
It delivers unmistakable ultimatums.
It is the last word.
A simple, little human forefinger can tell a terrible story with it.
Hunger, fear, revenge, robbery hide behind it.
It is the claw of the jungle made quick and powerful.
It is the club of the savage turned to magnificent precision.
It is more rapid than any judge or court of law.
It is less subtle and treacherous than any one lawyer or ten.
When it has spoken, the case can not be appealed to the supreme court, nor any mandamus nor any injunction nor any stay of execution in and interfere with the original purpose.
And nothing in human philosophy persists more strangely than the old belief that God is always on the side of those who have the most revolvers.
Gullerud has volunteered at the Rare Book and Manuscript Library every Thursday for more than seven years. For the past two years, he's been working to classify and enter a file folder of poems into the school's electronic system.
He was working through poems by Sandburg this month when he came across "A Revolver" typed on scratch paper and recognized its relevance to current cultural debates across the country.
"When I wrote down that last line, I knew this was really big," Gullerud said.
Sandburg, a Galesburg native and at one time a Chicago newspaperman, received Pulitzer Prizes for poetry in 1919 and 1951 and another in 1940 for his biography of Abraham Lincoln.
Gullerud took the poem to Valerie Hotchkiss, head of the Rare Book and Manuscript Library, who also noted its relevance.
U. of I. English professor emeritus George Hendrick, who has published multiple volumes of Sandburg's poems, said "A Revolver" appears to be from the writer's later work. Hendrick speculated that the poem could be related to Lincoln's assassination.
Monday, January 30, 2017
Dead Awake
30
January 2017
Dead Awake
I feel dead
Either way
Pills to wake
Pills to sleep
Pills to calm
Pills to fake
Happiness
Manic thought
Has settled
Darkness
Returns
From the
Depths
Again
Again
Again
I might as well be
DEAD
Dead
If
Dead
Awake is
No longer
Available
What about
Alive?
I have forgotten
If I ever
Knew alive
Without
Delusions
Illusions
Once clarity
Now questioning
Of all that
Ever sustained
Hope was
Hope
Even though
It will not
Find me
Now, for it
Demands that
I believe
In truth
That is
Not truth
But madness
Will
Find me
Whether
Hoping or not
Believing or not
Dead, Alive
Awake, Asleep
True or
Not true
Either Way
Madness
Is my
Only steady
Companion
Detail of an illustration of a solar barge on page 55 of Carl Jung's The Red Book. Translated,
the complete text on the page reads: "One word that was never spoken.
/ One light that was never lit up. / An unparalleled confusion.
/ And a road without end." According to translator Sonu Shamdasani,
the solar barge "was seen as the typical means of movement of the sun"
in ancient Egypt. "The Sun God protected the barge against the monster Aphophis,
who attempted to swallow the solar barge as it traveled across the heavens."
the complete text on the page reads: "One word that was never spoken.
/ One light that was never lit up. / An unparalleled confusion.
/ And a road without end." According to translator Sonu Shamdasani,
the solar barge "was seen as the typical means of movement of the sun"
in ancient Egypt. "The Sun God protected the barge against the monster Aphophis,
who attempted to swallow the solar barge as it traveled across the heavens."
-- Foundation of the Works of C.G. Jung
Words: Short Version
Words do not suffice
When you
Use them
as weapons,
Disguised as Care
While you
Hide from
yourself
Too many words
drown out
Voices of some
Who need to
Be Heard
And to choose --
When to be silent,
When to speak
Words do not suffice
When there are
Too few
Too late
from those
Not heard,
Not seen
Dismissed
Too few
Too late
The actions
Needed to
Respond to
Stories told
through eyes
and hearts
That sometimes
Beg to,
Fear to
Use words
Too little
Too late
When they
Need to trust
You more than
You need them to
Hear you
Too many or
Too few
Too late
Call for death
Too soon
Quiet now,
Words do not suffice
for these
Parts that
First need
Holding
January 30, 2017
Sunday, January 29, 2017
Words: Too Many
January 29, 2017 (poem still in process -- will be shortened)
Words do not suffice today.
Did they ever make sense of this
Nonsense?
I do not know the pain of a
Refugee torn from roots of land and family
Physical Hunger or thirst
Lack of education
Terminal illness
Having to live in places or spaces of
Constantly battling threats of physical death
Constantly wondering if this breath will be
My last
And still, I know at least
One truth
Words alone are insufficient
And still I rely on them now
To send out a message
In this bottle, to the sea
From this island where
I hope to be rescued,
to step away from this strange
Isolation, even as I am surrounded
By Words without love
Not only those of loved ones who lied
Who still use lies to get their way
But those of my own mind,
Unstoppable at times
Unraveling, and mostly conflicted
How words have carelessly strangled
Or carefully twisted a life inside
a life of lives that beats inside of me.
a life of lives that beats inside of me.
I have stopped counting
How many now.
A person can be a prisoner
Inside a body of
Black, White
Red, Blue
Shiny and new, or bruised
Fighting, freezing, fleeing
Rich, Poor
And everything in between
I am capable, and allowed
To feel great sadness for my sisters
Who share this earth
Without sharing access to my opportunities
To grieve for all who live on this planet,
And yet lack access to clean water
and places of shelter to give them rest
For my brothers who only learn violence
And weapons as a way to defend
in the same world where I can choose
to detest and protest war, or deny it or just not care.
I can feel gratitude for being able to rest
In a bed for hours and
Days sometimes, not concerned that
I may have to suddenly get up and run
Feeling the rhythm of footsteps of friends
-- Who might never have time
for even one thought of finding a friend in this hell
of a world (we haven’t learned to actually share) --
I sense their fear
as they take their last breathless breath
Unless they are spared from death, this time
Which for some is felt
More as horror than relief
I sense their dread of having to
Keep on trying to survive
With no promise of real freedom --
or even a way to recognize peace
There are cries from every spot where
Someone has dwelt,
Even if only in that moment where
Something was taken, beaten, swollen, numbed, or simply
Not Loved, not seen as living
These are the cries that
Not one of us is spared
When Words are not enough and
Wounds are too deep,
Sometimes harming without consideration
Or accuracy
Sometimes cutting so clean and concise
That the lesion is barely visible
Barely bleeds, hidden
Neatly in its precision
The wound is nearly closed
But still infected
Suffocating those who try to
Inhabit and expand inside
The sickness
Who try to carry the
Heavy heart, like a hero carrying
Too much with too little strength,
Division of purpose, without clear vision
Across the finish line
The heart does not need
A victorious win, or even an end
But a way to start
using its voice
to send and convey,
Instead of only carrying Pain
These hearts that cry
Are calling like thunder calls
a storm to gather
and speak the truth
With noise not made of fear
But with threads of acknowledgment
We were taught to deny
By the ones who are still afraid
Who look to their God in the sky
When the tapestry being woven
Here, is the security we seek
Binding us together
Generations
Nations
Chains of Sisters and Brothers
That each time broken,
Into Freedom,
Each time even one bird
Is released,
or flees captivity --
Flight is a new song,
And also an ancient,
Familiar rhythm
That I recognized the first time
I flew away,
Fiercely and weakly,
Not really flying but tripping
Up North
So many years ago,
That it seems I was mostly a ghost
Just real enough to feel the broken
Fragments of the mirror I finally broke,
No longer able to hold it up
to the one who kept telling me not to leave
That I needed its reflection to keep me alive
But there was only breath enough for one,
Only Life enough to keep me from living
And dying in the body
I nearly had to abandon
Before I began to know
I, too, had been captive
Confined as a prisoner of a War
An invisible one, no less real in some ways
Than the ones we can see as bodies
Scattered, lifeless, waiting for Earth
to gather them back to her
I do not know that life
But I still find bits of hard earth
and death that surround the cell
I still sometimes seek within me
A familiar retreat where I learned
How to fear, and eventually
How to escape it with Madness
But I am not afraid today,
To join the chorus of pain
Combined into hurt that still suffers
But not alone,
No, dear sister and brother, and
All who have ever felt other
*Yes, pain has not escaped
But is united, embraced
By secure love, tried
Not used as a word
Words about love do not suffice
When the inside weeps
Dry tears, there is not
One Ointment
That can sooth or replace
Love that is not so much
An arrival,
But something that is
Always
Abiding, along the way
And then one day
You recognize it,
Allow it to be released
From its contract with shame,
And suffering, meant to protect
Your starving heart
Love can be loud when it needs to
Be heard, when it wants
To be quiet -- not quieted,
But Still at last,
to know its own voice
No longer fooled and falling
into pits of deceit
You keep mistaking for wells
Finding yourself consumed again
By that which will not fill
Or allow you to freely offer
Or receive the kind of love
You and each of us need
The security of a love
that carefully follows you,
Not forcing, but guiding
Until You are freed
From all the hiding you thought
You knew as safety
And you can see without a veil
Or a mask
Or armour
Or a wall of fear
Or a fountain of words
That Love is more than all of these
You will understand it
When you feel held while also
Holding another
--Mary Anne Stewart, January 29, 2017
*Italicized words in gray are not part of the actual poem, but part of my process in writing it.
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